Catalog (432)

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Measuring 3 3/4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old black rubber baby nursing nipple!

This Mammy nipple doll is more unusual and less seldom found because she holds a tiny, plastic, white baby in her left arm. Typically when found, the Mammy nipple doll has empty arms.

Mammy’s sweet little face has been hand-painted, and she has been nicely dressed in a red and white polka dot dress with linen apron and red flowered head scarf. The little baby wears a linen gown edged with lace and has a molded face.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.

Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!

Measuring 4 inches long by 4.50 inches high by 3 inches deep, this fabulous, circa 1830's, English, porcelain, quill holder features a young, aristocratic lady surrounded by mounds of flowers and playing a lute.

Possibly Staffordshire, the quill holder features polychrome coloration with gold embellishment. Condition is wonderful with no chips, breaks, repairs, or repaints. Some discoloration seen under the base in the area where the quill hole is located. This discoloration may well be due to ink drips from quill or pen landing on the porcelain over many, many years.

A delightful piece!

This rare and unusual, finely constructed, Civil War Era, portable Field Surgeon's Operating or Gleason type Mortuary Table (also known as a Cooling Table) comes from the estate of a 4th generation New England medical doctor, and retains its original finish with wonderful patina.

The decorative and delicate detailing of this piece is at odds with its most gruesome history! Scalloped copper edge guards and the appealing pattern in which the drainage holes in the laminated wood tabletop were laid out contribute to visual appeal. The softwood table frame stands on nicely turned hardwood legs.

When opened and extended to its maximum dimensions, the table measures 72" long X 18.5" wide X 22" high. To facilitate ease of traveling, this portable table slides and folds to 40" long X 18.5" wide X 4" high. A leather carrying handle is attached to the table edge; legs, when folded, are secured in place with hooks.

Very fine original condition: expected overall wear (patina) with one hook missing and minor unobtrusive loss of laminate along lower table top edge measuring approximately 1/3” wide by 7”.

Please also see the C1860s Civil War Era Handcrafted Wood Soldiers' Crutch offered for sale.

This extremely colorful, lighthearted, and energetic, signed, fine quality, Limited Edition, giclee print depicts a lively outdoor dining scene full of gaiety and camaraderie.

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Offered is a fine, all-original, aluminum, golf mallet putter from the Dave Cuthbert shop of St. Andrews Scotland.

This well balanced and sleek appearing club sports a straight hickory shaft and a nice leather grip. Deep checkering lines adorn the face and a well struck "D. CUTHBERT - SPECIAL" stamp is seen on the top.

The condition is very good with the expected small dings, scratches and wear of a club that is over 100 years old. The club measures 34 inches from the sole to the end of the club.

SOME HISTORY

David Scott “Dave” Cuthbert was born in St. Andrews, Scotland in 1885. He got his start in golf as a caddy at St. Andrews Golf Club, and as a young man, he worked in Old Tom Morris’ golf shop. He often caddied for Freddie Tait who was one of the greatest amateurs in Great Britain. In 1912, Cuthbert learned from a friend who had worked in America that Huntingdon Valley Country Club was looking for a golf professional, so he set sail at once. He arrived in Philadelphia during a March blizzard with his golf clubs and a suitcase. He then proceeded to seek out the Huntingdon Valley green chairman. Without an appointment he announced that he was David Cuthbert of St. Andrews and he had come all the way from Scotland for the position of golf professional. He was hired and stayed seven years. He relocated to Canada for four years and returned to PA when Ashbourne Country Club opened in 1923. Cuthbert was Ashbourne’s first golf pro, and he remained there for fifteen years. In the club's opening year, 1923, Cuthbert finished second by one stroke in the 1923 Pennsylvania Open.

Offered is a fabulous, very early example of Tramp Art- a style of woodworking which emerged in America in the latter half of the nineteenth century. Tramp Art features the use of multiple, small pieces of wood that are whittled into layers of geometric shapes whose outside edges are then notch-carved.

This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.

This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.

The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.

Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!

Offered is a very handsome circa 1920-1930 era, hickory shaft, BRASSIE golf club sporting a fancy 7 DOT face.

This delightful club is marked "MAJESTIC" on the crown and is likely a Macgregor made club based on its quality plus the configuration of the seven dot designed face, which is a Macgregor feature.

This attractive club appears all original and is in very good condition considering its nearly 100 year existence. It has a straight 42.5 inch hickory shaft, an original grip and appealing patina in addition to wear and scuffs common to vintage clubs. The brass sole plate shows mild wear and has the #5 stamped near the middle. The face plate is not quite flush with the front of the club but is otherwise very tight and secure in place.

A delightful example of the fusion of beauty and function in sports equipment!

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

This striking ceramic apothecary jar dates from the 1930s and is marked "GERMANY" on its base. Measuring 9 inches high, this jar is generously embellished with 14K gold-painted swags, stars, and horizontal lines.

The jar cover has an old, repaired crack at the base of the knob as seen in the photo but has no other flaws, and displays quite nicely, lending flair and elegance to one's apothecary collection.

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Measuring 3.5 inches long x 2.25 inches high x 1.25 inches wide, this unique and petite, highly beaded, Iroquois-made, change purse was made for the tourist market at the beginning of the 20th century.

Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.

It is in overall fine condition with expected creasing given its 100+ years of age as seen in photos, as well as some loose beadwork and a small amount of missing beadwork to the bottom center.

Offered is an extraordinarily rare, 1930's, Googly Eyed Tea Pot made in Japan. A Google search on this item yields NO other vintage, 1930s Japan, Mammy, Googly-eyed Teapots available, further attesting to this piece's rarity!

This particular piece is in very fine condition, with cold-paint flaking noted on the spout and on the lid edge decoration as this piece's only readily-visualized flaws. (Cold paint refers to paint applied AFTER a piece has been painted, glazed, and fired in a kiln. Because this after-paint is not glazed and fired, it is easily subjected to flaking and disintegration.)

The teapot remains in fabulous, all-original condition with its original, twisted-wire, bail handle intact and in fine condition. The tea pot measures 5.5 inches wide from the edge of its spout and across the body to the opposite side. With its handle upright, the pot measures 7.75 inches tall, and 5.75 inches wide. The teapot with lid, absent the handle, measures 5.25 inches tall.

As noted previously, the teapot spout presents flaking of its green paint, with two tiny flea bites present on the tip of the spout detected only via touch versus the eye. The pot has no chips, cracks, repairs or repaint. There are very teeny surface rubs on the left cheek, but these are paint flaws which occurred prior to glaze application and firing. There are also two teeny "dots"-- one on the forehead and one just to the inside corner of the right eye that are also flaws created either right before or during firing.

This fabulously RARE piece displays just wonderfully and would be a prized asset in the collection of any advanced collector! And its diminutive size makes it easy for one to display in one's collection!

Enter "Googly" into the SEARCH box to see our other Googly-Eye collectibles!

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Offered is this 1959 copyright, LITTLE BLACK SAMBO TELL-A-TALE Book with illustrations by Violet LaMont. A Whitman Book publication, copyright by Western Publishing, Racine, Wisconsin. Hardcover, 28 pages.

A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 9 out of 10! This book has seen little use with just a teeny bit of wear to book edge points as well as very minor wear in a couple of areas on the exterior binding. Otherwise, intact and tight with no tears, creases, pen/pencil markings or soiling!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a series of 18, circa 1920s, colorfully lithographed trade cards published by the Liebig Extract of Meat Company of London. Each "picture card" as they were called then, features very colorful and highly detailed images on the front side with extensive educational information on the back side, written in French, on the various African tribes living in the Belgian Congo during this time period. The cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of all of the delicious soup extracts and bouillons it produced.

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.