$65.00
The double gutta-percha case measures 2.5 inches wide x 3 inches long x .75 inches deep when closed, and 5 inches wide when opened. The case appears to be in excellent condition!
The two cased tin types are each further framed within different press-molded, thin, ornate, brass frame and behind a little pane of glass. Each tin type is labeled with the name of the woman: the bonneted woman is Sarah Lavinia Piquet, and the long-haired woman is Maria Rogere.
Mid-19th century age is an approximation based on clothing style as well as decorative art in photo and style of double case.
Condition of tin types is excellent- **ANY white marks seen in photographs are caused by light reflection and are NOT damage.**
SOLD
This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.
The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.
Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).
Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.
Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.
"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.
$395.00
The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.
The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.
The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.
Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!
$1,275.00
The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.
Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.
I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.
The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.
An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.
$125.00
(Also currently available is Fern Bisel Peat's companion Little Black Sambo storybook!)
This puzzle rendition of Little Black Sambo depicts Sambo strutting out into the jungle dressed in his newly acquired outfit complete with shade umbrella- all of which is soon to attract the attention of those nasty tigers! This scene has been taken directly from the 1931 copyright, softcover, large folio, Little Black Sambo book illustrated by Fern Bisel Peat and published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio. It is likely that both the puzzle and the book were released to the public at the same time. They were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned large folio Little Black Sambo Book is also available for purchase on this website (type Sambo into the SEARCH box).
Ready to be framed, the puzzle has retained all of the brilliance of its original colors and also sports the artist signature of Fern Bisel Peat in the upper right hand corner. Slight and subtle edge wear to some puzzle pieces as noted in photo. A wonderful addition to one’s Little Black Sambo collection by this highly sought-after, renowned American children's illustrator!
Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.
As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!
From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.
As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
$225.00
The pitcher sits on a footed base and has a generous, bulbous-shaped body. It has glaze crazing typical of an 85+ year old piece of pottery, superficial flakes as noted in photos, and two hairlines at the base (see photos) which likely were acquired through use over the years. The hairlines seem tight and do not appear to threaten the integrity of the piece. P> An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
$125.00
Veterinary signs of any type are quite scarce! Wonderful patina!
$45.00
Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.
A truly scarce find in phenomenal condition!
$125.00
Made of light-colored fruitwood (treen), this handsome tool of the trade has two different recessed depths used to finish or create, two different diameter pills.
Dates to C1880 and the condition is very good. Sporting a wonderful patina, this pill rounder measures approximately 2.75 inches in diameter x .8 inches high.
Will make a delightful addition to your pharmacy or medical collection!
$75.00
The bottle measures nearly 7.5 inches high and is complete with original contents. The condition of the bottle is very nice with only minor staining to the label next to the letters in the word, BONKORA. Although the box is damaged (see photos), it displays very well as it retains the image of the nude female- an interesting conversation piece!
A bit of history: BONKORA was actually advertised as a weight loss treatment in print advertising, although this usage is not stated on the box. With sales in decline in the late 1930s, the BONKORA manufacturer attempted to make their product a bit more interesting by streamlining the original, bulkier silhouette in their advertising and adding a naked lady on the label. While a clever touch, the product’s popularity continued to wane – perhaps due to a combination of the economics of the Great Depression and the increased federal enforcement of earlier-legislated laws prohibiting unsubstantiated, and wild, curative claims for any and all maladies.
$95.00
Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.
Condition is quite fine with no damage or repair. Some expected light wear from actual use to painted rim and base and a teeny firing imperfection on the handle that is not readily evident to the eye.
A darling piece to add to one's collection!
$65.00
The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open, or it can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to allow the piece to fit inside his display cabinet!
$135.00
This solid, 1/8" thick bell gives its ring the classic resonance one would expect to hear in a 19th century bell - a sound that would carry a good distance announcing the start of the school day!
The top of the bell features a decorative 3 rimmed edging. The bell retains its original black-painted wooden handle, and iron clacker and loop. A very tiny 1/16th" superficial edge chip exists - the bell must have hit a very hard surface to create that! (see close-up photo)
A lovely 19th century example of a teacher's school bell, sadly being de-accessioned from my own collection due to lack of display space!
$35.00
This 5 inch tall wide mouth bottle is in fine condition. The ground glass stopper fits perfectly. The glass label is complete, has mild unobtrusive crackled paint and displays quite well. The base has embossing that notes "W.T.CO. USA.".
A darling little size that will fit with any collection.
$595.00
The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!
Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.
$395.00
Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.
The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.
The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.
$28.00
One of the five tins is labeled “Hospital Packet” and the other four are noted as “Professional Packet”. The Hospital Packet tin differs in both the front and back lithographs as well as the text (see photos).
The 5 tins are all in nice condition with tiny, unobtrusive, minor surface scratches. One tin has a minor rust stain to the lower edge occurring from storage.
These diminutive tins measure just over 1.5 inches in diameter! An interesting addition to one's drug store or medical collection!
$85.00
All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.
The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.
$18.00
An absolutely wonderful addition to one's School or Artist Memorabilia collection!
$575.00
The signs were purchased directly from the fish shack owners, and were, thirty-something years later, sold out of that purchaser's estate sale. During the purchaser's lifetime, the signs hung, one-over-the-other above the fireplace in the purchaser's den. They have been in my personal collection since 2003.
These signs have a very colorful, folk-art appeal and are certainly utterly unique! They very much fit into the American, Southern "Outsider Art" collecting genre, a genre which highlights the work of self-taught, rural area artists who create fabulous and highly expressive art using the media and materials that they have at hand and which reflects the world that they know and live in.
The signs are quite heavy as each is painted on a solid wood board. The signs are nearly identical in size and measure approximately 25 1/2 inches wide x 14 5/8 high x 3/4ths of an inch thick. One of the signs has very, very slight warping, but the warping is not readily evident as seen in pictures. Each sign has 2 holes from which to hang them, and the old rusted hanging wire which is seen in the photos has been replaced with new wire.
$95.00
This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The leather grip is in good condition, and the slightly bent hickory shaft sports a nice aged patina.
Measures 39 inches from heel to top of shaft and is probably a MASHIE although it is not marked as such. There are various small dings, mild pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.
Offered is this very scarce, circa 1900, Willie Dunn, Smooth Face Hickory Shaft Golf Club. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date. This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The original appearing leather grip is in fair condition with some loss, and the hickory shaft sports a nice aged patina. Measures 37 inches from heel to top of shaft and is probably a MASHIE NIBLICK although it is not marked as such. There are various small leading edge dings, minimal pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use. Of English origin, Willie Dunn settled with his wife and son in New York. His first professional position was at the Ardsley Country Club, Ardsley, New York, where he designed the course and established a club-making business in 1896. Not only was he a very talented golf club maker, he was also an accomplished professional golfer, finishing 2nd in the inaugural US OPEN. He also had gained a fine reputation as an outstanding golf course designer. Please refer to some wonderful history on his life on WIKIMEDIA. INTERESTING INFO In an interview Willie Dunn remembered he was the first to play with the rubber-cored ball which had just been invented. Dunn was on a train traveling from Chicago to New York when he received a telegram asking him to stop over in Cincinnatl, where he found a man named Haskell waiting for him. The gentleman told Willie Dunn he had invented a new golf ball and he told Dunn that he would give him $500 If he would try it and pass favourably upon it. Dunn stopped off and tried the ball, he just teed up the rubber core and was charmed by the sweet way it left the club. He just signed the recommendation and was the first pro to play the Haskell ball.
$325.00
Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.
Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.
$150.00
Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!
A RARE toy with crisp color and which displays wonderfully!
$195.00
Measuring 18 inches tall, Mammy is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive, and are exceedingly well done. Her hair has been styled in six pigtails adorned with bows.
Mammy's red, machine-stitched dress is also vintage 1930-40's fabric and features the classic Grecian Key design in white.
A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Art crafts-person who is now deceased.
Please take a moment to view her little brother by typing the words "Maine Doll" into the SEARCH box.
$195.00
Text indicates that this early Principal and Teaching Certification was awarded to Mr. O. P. Sarle on January 5, 1859. This “Certificate of Approval” found him qualified “with respect to Learning Utility and Moral Character” to not only teach but administer as Principal at the Grammar School Grade for “one year unless sooner revoked by the board”. Signed by five individuals constituting the Examining Board and the President of the Superintendent of Public Schools.
Measures 14 inches X 16.5 inches. Labeled lower left corner: "Fishbourne's Litho. Ohio Street San Francisco". With the exception of early fold lines and a lower left edge water mark (which will not be seen when framed), condition is mint! This certificate comes backed on a museum-quality, acid-free foam board which can be used when the piece is framed.
Truly a historically significant, museum-quality piece of ephemera which tells a part of the story of the beginnings of public school education in California.
$95.00
Measuring 13 inches wide x 9.50 inches high x 1/8 inch thick and constructed of heavy, multi-layered cardboard, this wonderful piece is in very fine, all-original condition with a warm, rich patina and color. All of the board's original, wooden, letter/number squares are in such a perfect state that they appear never to have been used! To spell a word, one slides the letters along cut out tracks in the board. To perform computation exercises, one simply flips the board over and is presented the opportunity to practice addition, subtraction, multiplication, division and percentages!
Quite visually appealing and easy to display!
Condition: some tiny edge rubs and surface wear due to use here and there on each side of the board- quite reasonable given this teaching tool's age and use by young children. See all photos.
A seldom found vintage, early School House item!
$675.00
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
$50.00
This lovely example has a subtle, coffin-shape form and sports a dovetailed base that was expertly joined. This handsome tool measures 7.25 inches long and retains its original, aged, brownish patina. The owner's initials, "N.S", are stamped on the heel of this plane.
The condition is commensurate with a mildly-used, antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The blade is sharp, well maintained and has a "BUCK BROTHERS" stamp imprinted upon it. The wedge and blade fit perfectly.
A smoothing plane is typically the last plane used in woodcraft, and when skillfully employed, it offers a finish superior to that of fine sandpaper!
$70.00
Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.
SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.
Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.
$125.00
This professionally executed, rare sign measures 29 inches long x 9 inches wide and is in good condition. Areas of light paint loss as seen in the photos and a few minor crimps in the metal, most noted by the corners, are commensurate with age.
An internet search revealed that the club was established over 100 years ago in 1909, although this sign appears to be from the 1940s. A neat find!
$45.00
Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress with blue oval designs, a linen apron and red and black head scarf.
Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!
$95.00
The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!
From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day, such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.
Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, fading or irregularity of color, or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece. Coloring remains consistent throughout.
Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this! What an interesting and unusual fall-time and/or Halloween decoration piece!
Some history on the Haders:
Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).
$175.00
Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.
Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.
This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.
$55.00
Published by The Merrill Publishing Company, Educational Publishers, Chicago, Illinois, this book was meant to be used in the early Primary Grades as an educational tool to promote reading skills.
Condition is an 9.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges which do not effect structural integrity. The fourteen large folio, color illustrations retain their intensely vibrant hues. Amazingly, there is no other noted damage or imperfection other than the three minute tears to the vertical edge of the front cover which likely resulted in, simply, use!
Prolifically used in the primary school setting, this book supported the development of not only sight word vocabulary but supported the rudiments of the "sound it out " theory.
Regardless, for either the early primary school officienado or lover of classic nursery tales, this book is superb!
$125.00
Text indicates that the certificate was awarded to Emma Shannon on June 12, 1885 (Or 1883--difficult to read as the date is partially concealed under the frame edge). The certificate recognizes that Emma excelled in Latin, Arithmetic, History of France, Rhetoric, and English Literature. Signed by W. P. Dickinson, President of the Faculty.
With the exception of early fold lines, a water stain in the upper left corner, and two small circular age stains on the lower left and within the word "distinction", condition is quite nice!
Measures 16.25 inches X 12.25 inches framed. The piece is framed in wood and is beautifully grain-painted in brown and black tones with delicate, cream-toned, chip-carved stems and leaves at each of the four corners. Original wood backing remains in place.
Once located at the intersection of 10th and Jefferson Streets in downtown Charlottesville, the Albemarle Female Institute was founded in 1853 as a University School for young women by Baptist pastor John A. Broadus. In 1861, one of Charlottesville's most famous 19th century women, Charlotte "Lottie" Moon, earned one of the first Master of Arts degrees ever awarded to a woman by a southern educational institution during this time period. Fluent in Latin, Greek, French, and Italian, Lottie was called to serve as a Baptist missionary in China, devoting 40 years of her life to that mission.
$695.00
Significant carving expertise and skill was required to create such a wonderfully executed object of art which emanates fierce expression and unrelenting strength.
The gargoyle is crafted from a hardwood, and it sports an unfinished surface with a patina reflecting its 125+ years of age. The length of the gargoyle measures just about 14 inches from the tip of its nose to the flat end of its tail, and its height is approximately about 9.5 inches high. The wing span is 7.25 inches, and its weight is 3 pounds. In terms of condition, the gargoyle is in quite fine condition given its significant age, with expected, age-related imperfections: a very small piece of wood is missing from the underside of the tongue and various, very tiny unobtrusive pieces of wood are missing here and there on its body.
A fabulous work of gothic architectural art!