Catalog (432)

The book, THOMPSON IN AFRICA or AN ACCOUNT OF THE MISSIONARY LABORS, SUFFERINGS, TRAVELS, AND OBSERVATIONS is the compilation of the journal kept by missionary George Thompson while working at the Mendi Mission in Sierra Leone, Africa, during the period 1848-1851. This is a second edition published in 1852, printed for the author by William Harned, 48 Beekman Street, New York City (the first edition was published in 1851).

George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships.

356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.

Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”

Offered is a very scarce, 19th century, strength measuring medical device known as a dynamometer that was manufactured by the G. Tiemann Company, New York, the most renown and respected surgical device manufacturers of the 19th century. Sold in the US by a gymnasium apparatus company out of St. Louis, the Fred Medart Company, the device was designed to assess the strength of the chest, back and legs up to a pull capacity of 1400 lbs.

This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.

This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.

A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!

Measuring a diminutive 8" long x 5.5" wide, this very sweet Mammy string holder was completely hand-painted and hand-constructed with the sole exception of the machine-stitched opening in her dress that allows placement and/or removal of the ball of string.

The neck opening, arm openings and the hem of her cream and red flowered dress are all hand-stitched. Her head and torso, cut from a piece of wood, are completely hand-painted, and the facial details and head scarf details were executed with a very fine-tipped paintbrush and were very nicely done! Mammy's dress contains a ball of old cotton string which is allowed exit through a small circular hole cut into her mouth.

Paint condition is very good with only slight edge wear and a couple of very subtle, tiny surface scratches. There are no rips, tears or wear to Mammy's dress, but some small staining splotches on the left side edges of her dress in front and in back are evident. A small eyelet was screwed into the top of Mammy's head with a string attached to allow for hanging and easy access.

Professionally framed in 1989 with museum-quality, acid-free backing as well as acid-free double-matting, this fabulous 1863, double fashion print from Godey's Lady's Book Magazine depicts the high style of the upper echelons of ladies' fashions during the Abraham Lincoln presidency, 159 years ago!

These fashion prints were carefully folded by Godey's to preserve the image and then were typically placed at the front of the magazine. The prints were reproduced from an actual, intricately detailed engraving which was then hand-tinted. Accompanying these fashion prints (or fashion plates as they were often referred to during this time period) were very detailed descriptions about each garment featured as well as the occasions in which a lady would appropriately wear each one.

This Godey's fashion offering features two prints detailing a total of 10 ladies and one young girl in the highest fashions of the day!

In the left side print, three different ladies model the latest in outerwear cover garments, while a fourth young woman is dressed ethereally in oyster white linen and lace. She looks on over the shoulder of a fifth woman dressed in creamy satin who quite expertly paints the portrait of a young girl. A little dog patiently waits! As an artist myself, I have always been especially fond of this Godey print!

The right side print features 5 young women dressed in exquisitely designed satin gowns adorned with lace and hand-embroidery straight from the fashion books of Paris! One of the ladies still models a brilliant ruby outer wear garment, having just arrived to the party that we see in the distance on the right side of the print beyond the heavily brocaded drapery entrance.

The hairstyles and the head-dresses in all Godey's fashion prints were also deliberately depicted so that one's "complete appearance" reflected the latest fashions from Europe, most particularly, France.

Both "fashion plate" prints are in wonderful condition with no concerns noted. Fold lines original to the prints' placement in the magazine are present as is expected as folding these fabulous prints within the magazine was viewed as a mechanism of protection while being transported through the postal system. The fashion plates were expected to be removed and used to either recreate one's own costume, or to add to one's visual collection of current fashion in a memory book or diary.

The prints are double matted in oyster white and a very neutral earth tone- colors that compliment the shadowing in the prints as well as the multiple shades of color worn by the featured ladies.

Measuring approximately 12.75" high x 28.25" wide, this highly decorative wood frame is antiqued-gold-toned and is in mint condition. PLEASE NOTE THAT ALL PHOTOS WERE TAKEN THROUGH THE GLASS which accounts for any and all bizarre reflections and/or aberrations in tone or color that might appear in photos. This stunning piece is perfect!

A bit of history: Godey's Lady's Book or Magazine was an American women's magazine that was published from 1830 to 1878 in Philadelphia. It not only featured fashions of the time, but short stories, poetry, directions and patterns for sewing garments at home as well as piano sheet music. Even though the yearly subscription of $3 was quite expensive for the time, the magazine was extraordinarily popular - the most popular monthly journal of its time, with subscribers at its peak reaching 150,000.

Please note that because this item would be classified as oversize (the length) by delivery carriers, this item does not qualify for free shipping.

Type "Godey's" into the SEARCH bar on our homepage to locate the other Godey's Fashion print we have available for sale.

Offered is a very nice C1900, Fairbanks, NY, Drug Store or Apothecary Prescription Scientific Scale complete with weights. Features of the scale include a mahogany case sporting a wonderful patina, and the bone (or early plastic) name plate which is marked "FAIRBANKS NY", an iconic maker of quality scales of the period. A brass labeled NY (New York) CITY asset tag further enhances this vintage scientific collectible.

Additionally, a brass beam, column and dial create a visual enhancement. There are 2 nickel plated pans and a complete set of boxed weights that round off this appealing scale.

The scale case measures 9"L x 4.25"W x 2.5"H and is about 10" tall with the brass column in place.

The overall condition is very good with the expected scuffs, dings and imperfections commensurate of a 120+ year old antique. Minor tarnish prevails especially on the pans and on metal areas. The boxed weight set is in as found very good condition.

***NOTE*** THE SCALE WILL BE SHIPPED DISASSEMBLED for safe keeping during transit.***

A perfect compliment to one's apothecary - drug store collection!

Offered is a hard to find, hand-carved and hand-painted, ice fishing decoy from the 1940-1950 era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This sweet folk art beauty has been skillfully crafted and painted to closely reflect the real thing! In fact, this charmer has signs of having been a working decoy (but not that frequently) as evidenced by the light areas of superficial rust on the tin fins and where the fishing line connects and to the metal eyes.

There is faint paint loss and light wear giving this work of art a wonderful vintage patina. Two weights on the underside are present giving this decoy a bit of heft. Measures 7 inches long x 2.5 inches wide x 2 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Measuring 5 3/4 inches high x 4 1/4 inches wide x 2 3/4 inches deep, this darling salesman's sample case advertises the Wholesale Grocers, Loverin and Browne Company. This Chicago, Illinois, company established business in 1872.

This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.

The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.

An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!

Offered is a scarcely found, late 19thC, pharmacy, drugstore, or apothecary Powder Folder which was used by early pharmacists to package single dose powdered medicines into individual folds of paper. This brass pharmaceutical tool of the trade was designed to more accurately ensure proper dosage, and it facilitated customer convenience by wrapping powders into separate doses.

This diminutive folder measures 3.5 inches tall x 2.25 inches wide and has a ratcheting type clip on one side designed to adjust height and width to conform to dosage size. The condition is very good and the surface sports a wonderful, rich patina.

An essential piece for the well-curated apothecary collection!

Entitled "A Chip O' The Old Block", the theme of this 1906 copyrighted lithograph features a derogatory stereotype not recognized as such when it was published 115 years ago. A very young African American toddler, bare-bottomed and still just crawling, is attempting to catch a fleeing hen - the caption implying, just as would his parent. The great irony here is that the artwork is quite skillfully and beautifully executed.

Measuring 8.5" wide x 6.6" long, the original frame is unusually embellished in the lower left hand corner with a very detailed, three-dimensional image of a wicker baby carriage fashioned from an unidentifiable medium. The carriage is missing part of the handle, part of one carriage wheel, and a teeny bit has also been lost on the upper part of that same wheel, but these missing pieces do little to take away from this embellishment's unique character. This is a unique and interesting piece, indeed!

The lithograph measures 5.5" wide x 3.5" long and is signed "Wall" in the grass under the toddler's left foot. The copyright date, 1906, and the publisher, The Ullman Mfg. Co. of New York, appear in the lower right corner. The original backside paper liner is missing.

Offered are two, very nice, circa 1910, Seymour Dunn, DEEP DOT Face, hickory shaft golf clubs.

These scarce clubs are stamped on the back "MAKER - SEYMOUR DUNN - LAKE PLACID NEW YORK U.S.A. - a CROWN (VIET ARTE)..". The leather grips are in good condition, and the shafts sport a nice aged patina.

The PITCHER measures 35.5 inches from heel to top of shaft. The MIDIRON measures 37.5 inches from the heel to top of club, and there is a slight bend in the shaft. Both clubs have various small dings to the metal surface and areas of wear commensurate with the club's use and 110+ years of age.

Seymour Dunn, of Scottish origin, was the nephew of Willie Dunn, an accomplished golf pro, course designer and club maker. Seymour worked with his uncle for two years until setting up his own shop in 1910. Seymour, just like his uncle, became an accomplished golf pro, course designer and club maker, and additionally, was a successful author of books on golf and a frequent contributor to golf magazines. Quite a talented family!

Measuring 8 3/4 inches long x 6 ½ inches wide, this very charming, circa 1920-1930’s key or pot holder hanger is entirely hand-made- and is a fabulous example of early American Folk Art!

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

Offered is a wonderful example of a late 19thC Pharmacy "tool of the trade" known as a pill machine but often referred to as a pill roller.

Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.

The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The base measures approximately 11.5" L x 7" W x 1.5" H including the footed base. The paddle is 15.25"L x 2.25"W.

An apothecary classic, ready for your collection!

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Measuring 15.5 inches long, this delightful, folk-art styled, cloth and stocking-constructed rag doll was made circa 1920's.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

Offered for your consideration is a vintage 1930-40s medical sterilizer fresh from a retired physician's collection. This nickel plated beauty is in fine shape and measures 8 inches long x 3 inches wide x 5 inches high (including the knob).

The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open, or it can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to allow the piece to fit inside his display cabinet!

Offered is a circa 1928, very scarce, George Sargent, DEEP GROOVE, hickory shaft, golf club.

The unique features of this club are (1) - only 1/2 of the face has deep grooves, and (2) - the grooves are ground at an acute angle which is quite unlike any I have yet to see documented. The more common deep groove examples have grooves throughout the face, with the grooves parallel to the sole.

The back of the club is stamped as follows: George Sargent - CHEVY CHASE (a Maryland suburb of Washington, DC).

The club measures 36.5 inches from heel to the top of the shaft. The leather grip appears to be original and is in good condition. The hickory shaft is slightly bent. The head of the club shows modest and honorable wear, and good grooves with generalized pitting to the surface.

Deep groove clubs were designed to significantly enhance the backspin of a golf ball, causing it to stop quickly. As history would have it, these clubs actually worked quite well and provided an unfair advantage to those professionals who were adept at using them (esp. Jock Hutchison)!

In 1922, DEEP GROOVED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by the R&A (Royal & Ancient- the UK's much older version of the USGA), and later by the USGA. Of interest, this club was imported from the UK and was still being offered for sale 6 years after the ban. The club was, perhaps, a special order/experimental design commissioned by George Sargent. Certainly, a very unique example of an early club design sporting a colorful history!

For more details, search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

A brief biography:
George Sargent was born in England in 1882. He began his career path rather early, beginning as an apprentice golf club maker by the young age of 12. After 3 years of training, George's path gradually progressed into playing professional golf, and by the age of 19, George was playing professionally full-time. He eventually moved to Canada, becoming a club pro. By 1909, George successfully won the US OPEN and continued his career in the US. He was head pro at various prodigious country clubs including EAST LAKE in Atlanta, designed numerous courses, and is credited with introducing the use of motion pictures to study the golf swing. He served as the president of the PGA for 5 years, and was inducted into the PGA hall of fame.

Offered is this circa 1910-1921, very scarce, Kroydon DEEP GROOVE Golf Club with atypically-designed grooves called BRICK FACE.

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Measuring 4 inches high with a 3.75 inch base diameter, this authentic looking 1919 Patent model bank of the historic Philadelphia Liberty Bell, is in wonderful all-original condition!

Given away as a premium for opening a bank account, this still bank advertises the Mechanics Savings Bank of Hartford, Connecticut.

The bank is complete with the famous Liberty Bell crack down its front as well as this slogan etched around its top, "Proclaim Liberty Throughout All the Land Unto All The Inhabitants Thereof. LEV XXV 10".

Manufactured by the Bankers S & C System Company, Cleveland, Ohio, this bank bears a patent date of February 18, 1919, as inscribed on its base.

Made of metal and wood. The whereabouts of the original key is unknown but it is likely that any flat metal key of the period and appropriate size would open it.

A fine, 100+ year old, decorative piece for either the still bank collector or Revolutionary War buff!

This is a nice example of a Spalding Deep Groove Kro Flite Mashie Niblick Hickory Shaft Golf Club dating to the 1912 - 1921 era. Interestingly, this type of design was banned in 1921 as illegal.

This club measures 36.25 inches from the heel to the end of the shaft. It is stamped 'MASHIE NIBLICK' on the sole and notes a 'FLYING CROW' cleek mark and 'SPALDING' etc. on the back. The face sports a DEEP GROOVE pattern and a darkened patina. The grip is an old replacement and the sturdy hickory shaft is straight with slight loss at the hosel end. The clubhead shows mild wear with the expected scratches, scuffs of an antique club. A nice seldom-found Spalding Bros. deep groove golf club!

SOME HISTORY

"A.G. SPALDING BROS. began its golf club manufacturing in 1892, first in the USA and then in Britain shortly thereafter. In 1905, they introduced their popular "GOLD MEDAL" model and continued this successful line until 1919. The Kro - Flite example was first manufactured in the 1920's and eventually became one of Spalding's most popular models. They have been a major innovator / manufacturer in golf and other sports equipment for many years.

An interesting and older circa 1940-50's, molded plastic, African female doll carrying a tiny African baby doll in a pouch on her back!

Fine detailing hallmarks this 11.25 inch tall doll. She is dressed in a black native costume -- all handsewn with yellow and black beads, and is adorned with a matching double-strand beaded necklace and single-strand beaded bracelet along with gold hoop earrings. Her lips, as well as the baby's, are painted red and both have inset life-like, plastic eyes. Her hands swivel at the wrists; her arms and legs are jointed at shoulder and hip, respectively.

No identifying marks are evident; clothing is securely attached and could not be easily removed for a further look.

Condition is excellent with the exception of damaged toes on the right foot.

Offered is an extremely rare collection of eight, very colorful, 19th century artist paint pigments in diminutive, corked, glass vials from makers S.J. Pardessus, New York, Chas. Moller, New York, and Bender & Phillips.

Each of these very scarcely found vials sport their original paper label noting color of pigment and the manufacturer. The vials have traces of contents remaining that lend color and interest to the grouping.

Pigment colors are as follows: Ultramarine Blue, Chrome Yellow, Solferino, Yellow Ochre, Magenta, Carmin..., Cadmium Yellow, and Brilliant Yellow. All vials measure approximately 2.25 inches tall and are in very good condition. The paper labels are darkened and somewhat worn from decades of exposure, yet they present very well, and all are completely readable but one.

An early and exceptional find which will surely delight the artist in your life!

Offered is a wonderful, 1940s, dual-purpose heater that works as both a baby vaporizer and bottle warmer. This charming piece is in very nice condition complete with its original, quite visually appealing cardboard box.

The warmer/vaporizer is made of durable ceramic and sports an elongated, diamond-shaped label on front featuring an arrangement of flowers. Made by HANKSCRAFT, it dates to 1945 per the patent date noted on the underside label and measures about 4.5" tall x 3.25" wide. The underside metal label is packed with information!

The condition of the warmer/vaporizer is very good with no damage noted. The electrical component has not been tested. The box is worn (some loss and unattached pieces) and is generally tattered yet retains its absolutely wonderful graphics.

A delightful baby collectible!

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very rare, miniature-size, HARDCOVER book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.

Offered is a very nice, vintage, drug store, BROMO SELTZER Dispenser with a patent date of 1930.

This popular and very recognizable, pharmacy collectible is constructed of a cobalt blue glass base with an aluminum stand that sports an old bottle of Bromo Seltzer retaining a label dating to 1987. The stand measures just over 15 inches high including the bottle.

The condition is commensurate with a used pharmacy device. The base shows wear with various scratches, and the metal is tarnished. The dispenser mechanism rotates and functions properly. The piece was in storage for many years and retains its original, "as-found" patina. A very nice find!

Some history:
The Bromo Seltzer product takes its name from a component of the original formula, sodium bromide. Bromides are a class of tranquilizers that were withdrawn from the U.S. market in 1975 due to their toxicity. Their sedative effect probably accounted for Bromo-Seltzer's vast popularity back in the day as THE go-to remedy for hangovers!

This a Vintage 1920's "Clear-Sight Spectacle Co." Self Test/Sales Kit with Original Paper Info, Instructions, Tester & Original Box.

Included are: Instruction Sheet, Sheet with choice of glasses available with prices, pictures and list of satisfied customers, greeting letter, Special Notice, Mailing Label, Guarantee, Order Blank, Tester with Original Shipping Box. The Original Shipping Price Shown on the Box is 3¢.

The Tester is made of wood, sports a lens and a tiny metal eye chart. The condition is very fine except for a small scratch to the chart and minor wear to the paper inserts.

Very unusual home eye exam tester!

Offered is a wonderful 1934 edition of Topsy Turvy and the Tin Clown by Bernice G. Anderson and illustrated by Esther Friend.

This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.

This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.

Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed!

Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.

Circa 1910-1921, very scarce, MacGregor, DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them!

The sole of the club is marked MASHIE NIBLICK. The back of the club is stamped as follows: Guaranteed Forged - R-Z ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and a faint oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows modest and honorable wear, good grooves with generalized tiny unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered are two desirable antique mallet head aluminum putters sporting good grips, nice patina and hickory shafts.

The first club is a nice circa 1900 example from the shop of Peter Hendrie. It measures 33.5 inches from the heel to end of shaft and sports a dot pattern on the face. The straight hickory shaft and leather grip are in good condition. The top of the club is stamped "P. HENDRIE" and H.B. "BYERGASON" (club owner). The head of the club has the expected dings, scuffs and wear of an early club.

Club number two is stamped "MACGREGOR 3 1/2" on the top and sports a deep checkered pattern on the face. The solid straight hickory shaft and leather grip are in very good condition on this 30.5 inch club. It sports an original patina and handsome styling- both desirable features of this nice playable club.

SOME HISTORY:
Peter Hendrie was born in North Berwick, Scotland, in 1872, where he caddied as a boy before obtaining his first professional position at the York club in 1897. He returned to North Berwick in 1900 and worked as a clubmaker for a few years. In 1902, he emigrated to Canada with his wife and took up the professional’s post at the Victoria Golf and Country Club in Montréal.

He moved south to the United States in 1911, becoming the professional at the Fort Mitchell Country Club in Kentucky. He assumed various professional positions in the US until 1924 when he was appointed the first professional at the new Ulen Country Club in Lebanon, Indiana, where he remained until his retirement in 1946.

Offered for sale is a wonderful late 19th century, Victorian drugstore, medical advertising cup. This lovely porcelain mug has “CUDAHY’S REXOMA” printed on the lip. Beautifully hand painted pink roses and other lavender colored flowers adorn the cup on all surfaces.

The Cudahy meat packing industry dates back to the turn of the century. The Cudahy meat industry, with stockyards in Omaha, Chicago, Sioux City and Los Angeles produced the REX brand of fine beef and pork products. They also produced lard, soaps and patent medicine products such as Cudahy's Essence of Pepsin and Cudahy's Rexsoma that used the animal byproducts. The patent medicines were marketed as nutritional supplements for improved health.

This 3.5 inch tall undamaged beauty is in very good condition and very classy indeed!

A terrific image on a lovely cup that can be easily displayed anywhere in your collection.

Offered is this very scarce and quite early, circa 1890s, James and David Kinnell, Smooth Face Hickory Shaft Golf Club made in Scotland. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "PRESTWICK KK CLUBS". The leather grip is in good condition, and the straight hickory shaft sports a nice aged patina.

Measures 35 inches from heel to top of shaft and is probably a MASHIE although it is not marked as such. There are various small leading edge dings and examples of wear commensurate with this club's 130+ years of age and use.

SOME HISTORY

The Kinnell brothers both served as golf professional and clubmaker at St Nicholas Golf Club . James was their pro from 1897 until 1901 and his brother David served between 1902 and 1936.

Offered is a diminutive size, 19th century apothecary bottle labeled "SODA MINT". This bottle sports a hand-painted glass recessed label with gold embellishment! Soda Mint today is better known as sodium bicarbonate or baking soda, which is used in cooking, and medicinally to relieve heartburn, sour stomach, or acid indigestion by neutralizing excess stomach acid.

This 5 inch tall wide mouth bottle is in fine condition. The ground glass stopper fits perfectly. The glass label is complete, has mild unobtrusive crackled paint and displays quite well. The base has embossing that notes "W.T.CO. USA.".

A darling little size that will fit with any collection.

Offered is this very scarce, circa 1900, Willie Dunn, Smooth Face Hickory Shaft Golf Club. The club is sleek in design, low profile in stance and of quality manufacture. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The original appearing leather grip is in fair condition with some loss, and the hickory shaft sports a nice aged patina.

Measures 37 inches from heel to top of shaft and is probably a MASHIE NIBLICK although it is not marked as such. There are various small leading edge dings, minimal pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.

Of English origin, Willie Dunn settled with his wife and son in New York. His first professional position was at the Ardsley Country Club, Ardsley, New York, where he designed the course and established a club-making business in 1896. Not only was he a very talented golf club maker, he was also an accomplished professional golfer finishing 2nd in the inaugural US OPEN. He also gained a fine reputation as an outstanding golf course designer. Please refer to some wonderful history on his life on WIKIMEDIA.

INTERESTING INFO

In an interview Willie Dunn remembered he was the first to play with the rubber-cored ball which had just been invented. Dunn was on a train traveling from Chicago to New York when he received a telegram asking him to stop over in Cincinnatl, where he found a man named Haskell waiting for him. The gentleman told Willie Dunn he had invented a new golf ball and he told Dunn that he would give him $500 If he would try it and pass favourably upon it. Dunn stopped off and tried the ball, he just teed up the rubber core and was charmed by the sweet way it left the club. He just signed the recommendation and was the first pro to play the Haskell ball.

Offered is a beautiful, circa 1895, Spalding Morristown model, Splice Neck Brassie Golf Club made in the Scotland.

This handsome club shows evidence of only light use with minimal wear noted to the face and sole. The clubhead was skillfully made from durable dogwood and is expertly spliced into the finest hickory shaft. The head sports a warm honey toned original finish. The sole is adorned with a brass plate which protects the horn at the leading edge of the face. The expertly replaced leather grip is covering the original listing. Two "MORRISTOWN" stamps are noted with the first at the top of the shaft and a second stamp which is faintly seen on the crown of the club head.

The club measures 40.5 inches long from the heel to the end of the shaft. A slight gradual bend is noted towards the lower quarter of the shaft. An eye catching early club!

Please note the photographed 1895 LIBRARY OF CONGRESS document from the SPALDING catalogue archives, confirming the origin and maker of MORRISTOWN golf clubs.

Offered is a wonderful, C1950s, Art Deco-styled, advertising store sign from a Grand Rapids, Michigan, establishment that features, in bold capital letters, the word, "LIQUOR".

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 33"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The frame is missing an approximate 5 inch piece at the top half of the left side of the frame; It is not noticeable when the frame is hanging.(see photo) There is also an unobtrusive crimp to the left edge of the frame. (see photo) The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. The lower left portion of the letter "M" has a minor, small, unobtrusive crack. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #2*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.