Catalog (432)

Measuring 6 1/2 x 11 3/4, this lovely, early 1900's, Black subject die cut by Enoch Morgan & Sons, England, features three individual Sapolio Soap die cuts used to advertise the company product. Each die cut features the head of a young black boy centered inside a piece of fruit or vegetable- a cabbage, a watermelon and a (?) pear.

Sapolio was a brand of soap noted for its unique and clever advertising, led by Artemas Ward from 1883–1908. Bret Harte, an American short story writer and poet, wrote jingles for the brand, and the sales force also included King Camp Gillette, who went on to create the fabulously successful Gillette safety razor and the razor and blades business model. Time magazine described Sapolio as "probably the world's best-advertised product" of its time period!

This pleasant trio of Sapolio Soap die cuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!

This very rarely found advertising trio together create quite a visually appealing decorative piece!

Offered for sale is a wonderful late 19th century, Victorian drugstore, medical advertising cup. This lovely porcelain mug has “CUDAHY’S REXOMA” printed on the lip. Beautifully hand painted pink roses and other lavender colored flowers adorn the cup on all surfaces.

The Cudahy meat packing industry dates back to the turn of the century. The Cudahy meat industry, with stockyards in Omaha, Chicago, Sioux City and Los Angeles produced the REX brand of fine beef and pork products. They also produced lard, soaps and patent medicine products such as Cudahy's Essence of Pepsin and Cudahy's Rexsoma that used the animal byproducts. The patent medicines were marketed as nutritional supplements for improved health.

This 3.5 inch tall undamaged beauty is in very good condition and very classy indeed!

A terrific image on a lovely cup that can be easily displayed anywhere in your collection.

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Offered are two, circa 1930 era golf clubs, each sporting complete, original, leather grips and hickory shafts, all in good condition.

The first club has the following stamped on the back in an oval: "Wright & Ditson SPECIAL", plus "HAMMER FORGED" and the cleek mark image. A worn "MASHIE NIBLICK" stamp is noted on the sole. The face has a dot style stamping, and the shaft has "WRIGHT & DITSON" stamped near the grip. The shaft has an old repair and a bend. Overall, a nice club with mild wear to the metal appropriate for its age.

The second club is a handsome 3 iron Spalding Kro-Flite model sporting a lined face with a fancy circular design in the sweet spot. The #3 is stamped on the sole. The back has the following stamping: "Professional Golf Assoc. - Custom Made KRO-FLITE" and a crow cleek mark. The condition is very good noting a slight bend towards the handle and a wonderful patina.

In 1892, A. G. Spalding & Bros, acquired the Wright & Ditson Company to enhance their position in the club making industry. Wright & Ditson company was founded in 1871, and the name continued to be used by Spalding on both golf clubs & balls into the 1940's.

Measuring 5 3/4 inches high x 4 1/4 inches wide x 2 3/4 inches deep, this darling salesman's sample case advertises the Wholesale Grocers, Loverin and Browne Company. This Chicago, Illinois, company established business in 1872.

This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.

The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.

An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!

Presented as a historical and cultural artifact, this extraordinarily RARE, very, very scarcely found, cloth book entitled "Pickaninny ABC" was published in London, Patented March 7, 1905, Number 39, by Dean's Rag Book Co. Ltd. The book measures 8.50 inches long x 6.75 inches wide, and is the companion volume to the also exceedingly rare 1904 Dean's Rag Book, "Ten Little Indians" which I have had the pleasure to offer for sale only twice in my decades-long antiques career (see final photo for a cover shot of the companion Ten Little Indians book).

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

Measuring 3 3/4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old black rubber baby nursing nipple!

This Mammy nipple doll is more unusual and less seldom found because she holds a tiny, plastic, white baby in her left arm. Typically when found, the Mammy nipple doll has empty arms.

Mammy’s sweet little face has been hand-painted, and she has been nicely dressed in a red and white polka dot dress with linen apron and red flowered head scarf. The little baby wears a linen gown edged with lace and has a molded face.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

This unusually diminutive, vintage, C1920s, Black Valentine Cupid die cut is protected in a 4 x 6 inch, decorative wood frame, surrounded by a gold foil mat featuring white foil roses. Additional tiny die cuts of pink roses are placed at each corner.

This adorable, smiling Valentine cupid die cut is in very good condition. Two very teeny fold lines are present that are very difficult to see unless using magnification (see closeup photo) - one in the left arm and another in the left wing. Otherwise, perfect!

A very unusual, vintage, Valentine's Day find!

Two circa 1915, aluminum, mallet head putters with hickory shafts are offered for your consideration. Both clubs are marked on the top with the following info: "STANDARD GOLF CO. - Mills Patent - Sunderland".

Club #1 has the patent # 171795 and "ENGLAND" stamped on the top. The base is stamped "BRAID-MILLS 1915 MODEL UPRIGHT LIE 9ozs 15drs". The face has a checkered pattern, slightly curved shaft and good early leather grip. It measures 35.5 inches from the heel to the top of shaft. The condition is very good with a small piece of metal missing at the front of hosel.

Club #2 is stamped on top with the patent # of 137374. The bottom is generously stamped with the following: "J.P.B. (owner), BRAID-MILLS 1915 MODEL - MEDIUM LIE - 9ozs 15 drs - HARRY O. LEE & CO. NEW YORK" (Retailer). The face has a checkered pattern and the hickory shaft is straight, sporting a good leather grip. It measures about 34 inches from the heel to the end of the grip. Overall the condition is very good commensurate with a club over 100 years old.

Together they make a nice duo of playable clubs.

SOME HISTORY:
Sir William Mills began experimenting with aluminum golf club heads in the 1890s. Mills was a marine engineer and used his company, William Mills Ltd, to branch into the golf business, leading to the Standard Golf Co.

Measuring 17 inches long, this delightful, folk-art styled, cloth, black Mammy doll was made circa 1920's.

Detailing in construction sets this mammy doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. Mammy was lovingly dressed in clothing made from old, red, black, and white-patterned handkerchiefs, while both her body and her interesting pair of black pantaloons were constructed of old, black stockings. Detailing was clearly important to the creator--an additional and elegant surprise is the cream-colored, cotton petticoat edged with lace!

Mammy's face is hand-embroidered, and she wears brass-colored, plain, hoop earrings. Her body is machine-stitched together and is stuffed with cotton batting.

Mammy is in near perfect condition with the exception of minor wear (not holes) to her stocking-constructed left foot as well as the underside of her right, stocking-constructed hand. (This wear to the fabric may well be the very reason the stockings were used to construct Mammy as they may have been discarded from personal use. Please refer to photos to view wear.)

Mammy is simply full of charm with lovely and creative detailing! A quite difficult-to-find-in-this condition, 80+-year-old, cloth mammy doll!

Measuring only 5.5 inches x 6.5 inches framed, this darling little pair of 19th century, American Folk Art, hand-colored lithographs depict two different homesteads in Macon County, Illinois.

One litho appears to be the residence of a “R. Timmons” and the other of a “S. Macon”. The frames are a latter addition, likely circa 1930-40’s acquired by an individual interesting in preserving these colorful and historic pieces of Folk Art. They framing was done at a Greensboro, North Carolina gallery.

Both lithos are darling-- featuring pleasant, pastoral, Folk Artsy, 19th Century scenes! A great pair of mini, decorative and historic accent pieces!

Offered is a hard to find, circa 1900, Richard Leslie, Smooth Face Hickory Shaft Putter made in Scotland. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "R. LESLIE - CHICAGO" - MADE IN SCOTLAND. The leather grip is in good condition, and the straight hickory shaft sports a nice aged patina.

Measures 35 inches from heel to top of shaft and is in very nice condition with only minimal wear commensurate with light use.

Leslie, who is of Scottish pedigree, was the designer of GLEN VIEW CLUB in Chicago in 1897, the site of the 1904 US OPEN and various US Amateur events. He was also was their first head professional, and by the looks and craftsmanship of this club, quite the club maker!

This eye-catching, bright, robin's-egg blue painted pharmacy sign from the 1970s measures 14 inch tall x 1/2 inch thick.

This handsome wooden beauty is embellished with a fancy decorated mortar and pestle on top, stylized, Victorian-look lettering spelling out "PHARMACY" in the center, and vintage-look advertising for "LOG CABIN EXTRACT" at the bottom.

The condition is good with slight areas of paint lifting or loss, primarily on the edge.

A tiny "MADE IN JAPAN" label and the original price tag are present on back. Ready to hang!

Offered is a fabulously ornate, 19th century antique, Apothecary Show Globe. Photos provide close-up views of this intricately detailed, high-end show globe, and the 1891 photo from the WHITALL TATUM COMPANY catalog establishes the age of this beauty.

The overall condition of the globe is very good with the imperfections and wear expected given its 130+ years of age. The decorative frame is sturdy and the globe can hold water with ease. At some point long ago, the metal components were painted a gold/brass color. Today, the paint retains a delightful brass tone with an antiqued patina.

The attention to detailing and design of the show globe frame is second to none, pushing this show globe into a class by itself. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding!

The show globe measures 22 inches tall from the top of the crown to the tip of finial. The exterior of the hand blown glass globe is in good condition. The interior of the globe notes a modest yet common and unobtrusive haze which will not be visible when the globe is filled with the colored water of your choice. Additionally, the haziness should clean up if so desired.

Acquisition of this rarely found, beautiful and stunning show globe is a rare opportunity not to be missed!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered is an extraordinarily rare, 1844, Warren County, Georgia, ARREST WARRANT for a SLAVE girl named Ally who is accused of drowning two young (Caucasian) girls in Sweetwater Creek, Georgia. The girls aged 7 and 10, were daughters of Thomas Roney, who filed the charge. The slave girl, Ally, is owned by Nancy Mayhamry (?SP), but was in the possession of Thomas Roney at the time of the drownings.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "Warrant of Slave girl Ally Crime of Murder "Tho. Roney (?)Pros(?)".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Elisha Burson as Justice of the peace for Said County personally came before me Thomas Roney who being duly Sworn Saith that, he had Just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Nancy Mayhamry, did on Sunday afternoon twelfth last in Said County in Sweetwater Creek, feloniously and willfully drown two of his children, to wit, two daughters, one ten years old, the other seven years old - Sworn and Subscribed to before me May 30th, 1844" - (signed) Elisha C Burson J.P. (signed) Tho. Roney

Paragraph Two:
"Georgia Warren County"
"To any lawful officer to execute and return - Whereas Thomas Roney hath this day made complaint before me on oath, that he hath just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Mary Mayhamry, did on Sunday afternoon twelfth last- in Said County in Sweetwater creek, feloniously and willfully drown two of his children, to wit, two daughters one ten years old, the other Seven years old - This was therefore to command you, to apprehend this Said negro girl Ally, and bring her before me that she may be dealt with as the law directs - here of fail not - - - In testimony whereof I have hereunto Set my hand and Seal, May 30th, 1844" - - - (signed) Elisha C Burson J.P. S.S.--(the S.S. encircled perhaps to signify his Seal)

Condition of this very, very unique slavery document is quite fine given its 178 years of age. Expected aging of paper with insignificant and minor tears at creases and tiny areas of soiling. (see photos)

Truly an extraordinarily rare historical document that defines a specific slave-related incident.

One has to wonder what became of Ally? Was she ever caught? If so, she was likely put to death. But was she innocent or guilty? Because she was a slave, it, heinously, did not matter as she would be allowed no voice...

Measuring just 4.75" tall at its highest point x 2.5" deep x 3.5" wide, this fabulous, circa early 1960s, handcrafted mini replica of a 19thC School Master's Desk lacks absolutely nothing in detailing!

Constructed with hardwood and featuring brass hardware, this delightful piece retains its original box labeled "Made In Korea", with design copyrighted by B. Shackman & Co, 85 Fifth Avenue, New York, New York.

The wood-turned legs, wood-carved detailing and overall meticulous attention to design detail is just superb! The desk features a total of 3 drawers which open and close smoothly and easily and which are finished with brass handles or knobs. Desk swinging doors open easily, have brass knobs, and reveal six desk cubby holes and a small drawer hidden inside, just as one would have found in an original 19thC school master's desk!

Condition is all-original and superb without injury! The desk even retains its original foil sticker on the underside. The original cardboard box features a well-designed cover that offers all essential details to the prospective buyer. The front label is in perfect condition, but the cover's four corner joints have all separated, albeit due to handling over the years. All parts are present, however.

This piece is a deaccession from my personal school teacher collection, with regrets, due to lack of display space. A unique addition to one's vintage school collection!

This wonderful vintage hospital sign from the 1920's once hung in a small central South Carolina hospital, as told by the 91 year old seller from whom it was purchased.

Taken right out of her sewing room where it had hung for decades on the wall, the black and gold sign, which is painted on a heavy particle-type board, has a very lovely, warm, aged patina. It was very difficult to photograph as the black background paint readily picked up the slightest light source. The very first photograph most accurately depicts the color and appearance of this piece. Any white glare in any of the photographs should be completely disregarded, as both the color and tone of the sign are quite uniform.

Measuring 24" wide x 6" long, the sign has three eyelet-type holes in each of three corners (one corner is missing) to facilitate hanging. It comes with a heavy, ancient piece of wire that was used to hang the sign in the seller's home.

As noted in the close-up photos, the sign has its share of surface rubs, scratches, paint edge wear and three of the four corner edges missing-- all appropriate examples of wear for a well-used sign that is nearly 100 years old! Close examination of the sign suggests that the background was painted completely black first and then the gold edge-work and lettering were stenciled on top of the black background.

Just LOVE the look of this sign!

Patented in 1923, this wonderful dental tool is marked "SS WHITE CHURNING SYRINGE #1" and is complete with all attachments including directions to create the proper mixture to produce dentures.

The instrument is made of what appears to be aluminum or stainless steel and is in in excellent condition. The syringe measures about 14 inches long x 3.5 inches wide. The box is complete and a bit tattered, primarily at the seams. It sports 2 detailed labels as pictured. An unusual and rarely found dental tool-of-the-trade!

Offered is a scarcely found, late 19thC, pharmacy, drugstore, or apothecary Powder Folder which was used by early pharmacists to package single dose powdered medicines into individual folds of paper. This brass pharmaceutical tool of the trade was designed to more accurately ensure proper dosage, and it facilitated customer convenience by wrapping powders into separate doses.

This diminutive folder measures 3.5 inches tall x 2.25 inches wide and has a ratcheting type clip on one side designed to adjust height and width to conform to dosage size. The condition is very good and the surface sports a wonderful, rich patina.

An essential piece for the well-curated apothecary collection!

Measuring 2.75 inches high x 2.75 inches in diameter, this very sweet, child's, Copper Lustre mug or cup was produced in 19th century England.

Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.

Condition is quite fine with no damage or repair. Some expected light wear from actual use to painted rim and base and a teeny firing imperfection on the handle that is not readily evident to the eye.

A darling piece to add to one's collection!

Offered are three, desirable, circa 1910-1920 era, smooth face, hickory shaft golf clubs. Although smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

The first club is stamped on the back "SPALDING - GOLD MEDAL" and measures 39.5" from the heel to the top of the shaft. The Gold Medal line was first introduced in 1905 and offered till 1919. The complete grip shows mild separation and is in good condition. The shaft on this long club (likely a #2 iron) has a modest bend near the grip.

The second club, a putter, is stamped on the upper shaft "THE CRAWFORD MACGREGOR & CAMBY CO - DAYTON, OH" and measures 32.5 inches from the top of the club to the heel. The sheepskin grip is worn and the face of the club is heavy by design.

The third club is likely a MASHIE, has a straight shaft and good grip. The name of the maker is not discernible due to a partially worn stamped label. It measures almost 36 inches from the end of the club to the heel.

All three clubs show various, small, leading edge dings, original patina and mild wear commensurate with the clubs' use and 110+ years of age. A delightful trio!

Protected in a 15.25 x 24.75 inch, black hard plastic frame with glass and coordinating mat, this authentic GOLD DUST Trolley Sign was manufactured by the N.K. Fairbanks Company in 1920’s!

GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!

This Gold Dust trolley sign features the Gold Dust Twins dressed in ruffled, red skirts emblazoned with the words “GOLD DUST”, busily scrubbing the front porch and the kitchen in a vigorous attempt at “Spring Cleaning”. The colors featured in this trolley sign are just stunning—greens, pale peachy-colored orange, pale blue, and yellows with white apple blossoms and red tulips flowering in profusion!! To the left of the Gold Dust Twin scrubbing the front porch, sits a large box of Gold Dust Washing Powder. The advertisement proclaims in black-outlined, peachy-orange lettering: “For Spring House Cleaning”.

The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear a bit faded—which is inaccurate! The sign is free of rips or tears although it does have two, early, fold-creases – one running from top to bottom of the sign along the left side of the pail and between the “O” and “L” in “GOLD” and the other vertical crease on the very right edge of the sign, running through the stove in the kitchen to the “T” in “DUST”. The creases are very unobtrusive and do not detract from the wonderful, colorful imagery this sign conveys.

An unusual opportunity to acquire a very RARE piece of Black Americana!!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This vintage 1920's Austrian, cast iron figural group is an authentic piece that was carefully hand-painted some 100 years ago! Austrian pieces of this era were known for their fine craftsmanship and attention to detail.

The darling boy and girl seated on a tree stump measures 2 3/8 inches high. With the exception of the girl's missing right leg, this seldom-found piece is in overall fine condition with age-related paint scrapes here and there. (please see all photos)

A very unusual and interesting figure group that displays exceedingly well!

This is a complete, hard to find pharmacy “KONSEAL FILLING and CLOSING APPARATUS” that was used by early 20th century druggists.

The machine was made by The J. M. Grosvenor Co., Boston, and was the most widely used cachet preparation device in American pharmacies.

The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the case is of a hard wood construction. The metal KONSEAL apparatus, when open, measures approximately 18”L x 10”W x 2” H. Note that there is interior and exterior age damage in the center of the wooden case that includes a hairline split in the center. The photos should help better identify this description.

The accessories appear to be complete when compared to the images seen in the directions that is glued to the inside case and my reference text. There are 3 packets with paper directions for patient use.

The interior divider has some minor separation of joints that does not distract from this set.

A must addition for any pharmacy/apothecary collection.

Offered is this extremely RARE 1920's, cardboard, D.L. Clark Company, Pittsburgh, Pennsylvania, 120 count, BLACK JACK Caramel "PENNY CANDY" BOX which features a singing Black Dandy strumming a banjo.

Cardboard candy boxes with African-American themes remain EXTREMELY RARE finds in today's market due to their inherent fragile nature!!!

This wonderful piece is in very good condition with the expected aging, and edge and corner wear given its 100+ years of age.

The top left seam of the cover has the most edge wear of all areas of the box, and the bottom right seam of the cover has split (see photos for each), but otherwise, the box remains intact with no missing pieces! A very subtle crease runs along the top of the box cover above the word "CLARK", but it is indeed very obscure and difficult to photograph. Please note that the corner edge taping to all four corners of the box base is original manufacture meant to provide extra stability to that section of the box that held the weight of the candy. The box base is in near-perfect condition!

D. L. Clark Company History:

David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.

The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.

By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.

By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.

The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy and naked, Girl Child Nodder was made in 1950’s Japan by the Ardalt China Company. She modestly attempts to conceal herself by holding a pair of pink and red polka dotted panties in front of her! Such a sweet piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).

Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO, Japan.

Black Memorabilia sewing items are becoming very difficult to find! Offered is a wonderful, 1930’s, cloth Mammy Pin Cushion!

While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!

Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!

In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!

Offered is a wonderful example of mid-19th century craftsmanship. This elegantly designed HAND ADZE exhibits a perfectly formed handle that fits in the palm of one's hand like a glove!

Hand adzes, which are swung with one hand, are used for smoothing or carving wood. This early adze with its captivating, primitive look exhibits appropriate wear commensurate with a modestly used tool of some 160 years of age. Various dings, scratches, wood loss are evident in this piece yet add wonderful character to this early tool of the wood workers trade. Attached to the handle is a hand-forged, 4.5 inch iron blade that is nearly flat. As seen in one of the photos, there exists an older, 19th century wedge, though likely not original, which has served as a more than acceptable replacement over the years.

*****PLEASE NOTE: THE ATTACHED STICKER INDICATES THE YEAR 1985- THE YEAR I PURCHASED THIS TOOL FOR MY OWN COLLECTION.*****

A lovely, early example of a woodworker's tool, designed, as was required during the 19th century, to assist with a specific woodworking function.

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

Measuring 3.25 inches high by 3.75 inches in diameter, this lovely Victorian Barber Shop, mustache or shaving cup or mug remains in excellent condition but for the subtle wear to the gilt-edged rim.

The cup is embossed with swirls, dots and bows as well as decorated further with gold-drawn designs and 2 large, hand-painted pink roses with 1 smaller cream-colored rose. The cup base is scalloped and the fancy handle is gold-gilded.

A very pretty piece!

Measuring just 2.75 inches high, this lovely Copper Lustre Creamer or mini Jug, is in impeccable condition-- no chips, breaks, hairlines, etc! Delicate floral and leaf patterning in copper is set against a pretty bright blue band. Nicely swirled applied handle! A very sweet addition to one's copper lustre collection!

Professionally framed in an intricate, antique-look, gold gilt molding with museum quality, acid-free mat and mounting materials, this 1840, hand-colored map of Germany, Switzerland, and Northern Italy will be well-preserved for many, many years to come!

Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.

All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.

Measuring 3” in diameter, the patent date indicates that this unusual and vintage, NEW ORLEANS MARDI GRAS pin back was manufactured in 1957, by Pictorial Productions, Inc.

It features a vintage, EARLY HOLOGRAM IMAGE: a “moving” Court Jester or Clown, who in a gallant sweeping motion, removes his broad-rimmed hat and takes a grand bow. (Tilt pin slightly to make Jester move.)

Colors: bright, buttery yellow background, jester in traditional Mardi Gras colors: dark fuchsia, green and white, with lettering and metal pin back frame in red.

Condition: quite nice for its 67+ years of age with light, expected wear to red paint at rim edges and back.

While everyone else wears their newly bought, common, plastic, Mardi Gras beads on Fat Tuesday, stand out and be unique sporting a vintage, 67+ yr old, traditional, Mardi Gras, Clown Jester Hologram pin!

Measuring 9 x 12 inches, this all original, 1930 Copyright sheet music features a fabulous cover graphic that would be magnificent framed!

Great condition with some corner wear, but please note that all pages have completely separated from the center seam so are no longer in "booklet" form. No missing pages though!

A difficult item to find in today's market!

This 1851 educational text was published by the Sanborn & Carter Company of Portland, Maine. Authored by Salem Town, L.L.D., this revised edition from the original published in 1848 is touted as, “A reader designed for the middle class pupils of our public schools, embracing full and important exercises in elocution and articulation.”!

Hardcover, 288 pages; Good condition: Minimal foxing, no tears, tight binding, corner edge wear to cover.

A delightful addition to the School Memorabilia collection!

Scientific, chemist, laboratory-- these terms all best describe this circa 1930s, unused and most interesting device labeled "Bishops Arsenic Apparatus". Comes complete with original wrappers, jar, black stopper, piping and stained box with label. The box measures 5.5 inches long x 3.25 inches wide x 2 inches high. Condition is excellent.

Perfect for your laboratory, medical or weird science collection!

Measuring 15.25 inches in diameter and 5.25 inches high, this magnificent and absolutely HUGE, C1920, Ohio-made, yellow ware, spongeware mixing bowl or water basin features fabulous blue sponging and is much more striking “in person” than the photos were able to capture.

The bowl sits on a 1/2” footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery but no cracks, chips or hairlines. Remnants of gold gilt decoration along the rim still remain. Would be fabulous as receptacle for a very large plant or to hold a large water pitcher!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Measuring approximately 3 1/4 inches long x 2 1/4 inch wide x 1 1/8 inches deep, this vintage, sweetly depicted, steam-molded Brown Doll Face from the 1930’s has never been used! Eyes and lips are both hand-painted; condition is quite fine with no stains, tears, or discoloration—ready to be used!

Measuring 44.50" in length x 42.75" wide, this delightful Folk Art, completely hand-sewn, unused, wool, Pennsylvania Amish, Crib Quilt is in excellent, all-original, perfect condition!

It was constructed in the basket design by Anna Beiler in the late 1970s. Its provenance is from the Robacher personal catalog of collections--- a renown, Pennsylvania husband and wife team who became the published, indisputable American experts in Pennsylvania Dutch decorative art and culture. Over their multiple decades of marriage, they collected an utterly massive number and wide variety of Pennsylvania Dutch artifacts before both passing away in the early 1980's.

Colors are bright orange-red, navy blue, royal blue, forest green, pink and standard green. Please note that all colors are quite striking and brilliant, and remain even in color and tone throughout. Any photos that appear to suggest to the contrary, are a result of lighting issues and do not in any way reflect condition.

This piece was never used and was purchased new in the 1970s by the Robachers, and placed in careful storage in a cedar-lined trunk. It has remained in storage in a cedar chest since its purchase from the Robacher Estate Auctions held in 1989 by Horst Auctioneers of Ephrata, PA.

Measuring 8 1/2 inches wide x 11 3/4 inches long, this brightly colored, all original, copyright 1931, Little Black Sambo Puzzle by acclaimed American children's illustrator, Fern Bisel Peat, is in very good condition! This very rarely-found puzzle attracts additional interest due to the unusual, geometric, highly angular cut of the individual puzzle pieces- suggesting a very strong Art Deco influence!

(Also currently available is Fern Bisel Peat's companion Little Black Sambo storybook!)

This puzzle rendition of Little Black Sambo depicts Sambo strutting out into the jungle dressed in his newly acquired outfit complete with shade umbrella- all of which is soon to attract the attention of those nasty tigers! This scene has been taken directly from the 1931 copyright, softcover, large folio, Little Black Sambo book illustrated by Fern Bisel Peat and published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio. It is likely that both the puzzle and the book were released to the public at the same time. They were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned large folio Little Black Sambo Book is also available for purchase on this website (type Sambo into the SEARCH box).

Ready to be framed, the puzzle has retained all of the brilliance of its original colors and also sports the artist signature of Fern Bisel Peat in the upper right hand corner. Slight and subtle edge wear to some puzzle pieces as noted in photo. A wonderful addition to one’s Little Black Sambo collection by this highly sought-after, renowned American children's illustrator!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a wonderful, C1950s, Art Deco-styled, advertising store sign that features in bold capital letters the word, "COSMETICS". This sign, which originally hung in a Grand Rapids, Michigan, establishment, might well have been displayed in either a drug store or a beauty salon which sold various lines of ladies' cosmetics.

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 48"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

Offered are two desirable, circa 1905-1910, smooth face hickory shaft golf clubs. Smooth face golf clubs fell out of fashion, and perhaps function, by the very early 1900s, yet they were still offered in catalogues for a number of years beyond this date.

The 1st smooth face club is stamped on the back "R.B.WILSON - OK SPECIAL - MADE IN SCOTLAND". The lambskin grip is in good condition, and the hickory shaft sports a nice aged patina. It measures 38.5 inches from heel to top of shaft and is likely a MASHIE although it is not marked as such. There are various small dings, faint pitting to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.

The 2nd club is marked "MORRISTOWN" on back and is very nice with minimal signs of use. There is a "sheen" seen in the sweet spot that is of unknown origin. Of note: Spalding produced a line of clubs marked 'Morristown', so this club may well be one of their earlier examples as there are no other maker marks present...an excellent club, indeed!

Measuring 15 inches long by 13 inches wide, this delightful, unsigned, watercolor features a charming rendition of a young black boy straddling a fence while clutching a plump watermelon!

Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.

Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.

A lovely watercolor- nicely executed!

Offered are three, circa 1900-1905 era, Spalding, smooth face, hickory shaft golf clubs. Although smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

The first club has "THE SPALDING" stamped on the back of the face as well as on the shaft and dates to pre 1900. It measures 36" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend near the face and is probably a MASHIE.

The second club, a mid iron, circa 1910, is stamped on the upper shaft and on the back of club "SPALDING SPECIAL" and measures 39 inches from the top of the club to the heel. The replaced grip is new and the shaft is moderately bent but sturdy.

The third club is also a mid iron and sports a straight shaft and fair grip. It has "A.G.SPALDING & BROS" stamped on the shaft and on the back of the club. It measures just over 38 inches from the end of the club to the heel and dates to C1905.

All three clubs enjoy original patina and have mild wear commensurate with the clubs' use and their 110+ years of age. A delightful trio!

Reading "SAFETY FIRST" "EMERGENCY SHOWER EYE BATH", this green, white and black painted sign dates to the 1950's and was likely meant for use in either a professional or academic laboratory.

The sign measures 14 inches wide x 10 inches high, and is quite bright and visually appealing.

This painted metal sign remains in fine condition with minor surface scratching, tiny areas of paint loss and tiny areas of superficial rusting, all as noted in photos.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 12 inches high x 9 3/4 inches long x 6 inches wide, this extraordinarily rare, circa 1920's, Black Americana, wooden pull toy is called Shufflin' Sam!

Demonstrating some degree of age-related paint loss as seen in photos, Shufflin' Sam remains fully functional, shuffling his feet and twirling his blue umbrella when he is gently pulled along a flat surface. His manufacturer is unknown. On his base is written in ink, a very OLD price of $22.00!

The paint loss imperfections do not interfere with the toy's overall charming visual appeal! This exceptional toy has never been repaired or repainted; it remains in all-original condition!

Wooden toys were produced with less frequency than their tin counterparts and also tended to be less hardy, and thus, a far fewer number of them survive today as compared to the more frequently discovered tin and metal toys of the same era.

"Shufflin' Sam" is very RARELY found (The FIRST time I have ever been able to offer him!!!), and the opportunity to acquire him should not be overlooked!

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Measuring 1 7/8 inches in diameter x 1/4 of an inch high, this seldom-found, circa 1920’s, dexterity game depicts a surprised or startled African baby. Likely German-made, the puzzle has no markings. It contains the 3 tiny metal balls, that with the proper manual dexterity, are to be placed in the baby’s mouth and two eyes. Two of the balls are currently fixed in place, likely due to the metal backing being very subtly pushed in.

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring just 10 inches in height, this diminutive, vintage 1940's, Mammy Bottle Doll is in near mint condition, with nicely detailed, machine-stitched clothing and a very darling face! Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are stain free and are nicely constructed--note fancy sleeve detail!

This mammy bottle doll is one of 3 offered, all coming from the same estate--and all priced separately.

Measuring just 2 inches high, blown-in-mold, 19th century, clear glass bleeding or cupping glass is in excellent condition.

Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.

Offered is an interesting and varied, quality quintet of Patent Medicines as follows!

First, is a sample bottle of FLORAPLEXIN prepared by Franklin Hart of New York. The label notes that it is, "A positive cure for Dyspepsia, Liver complaints, NERVOUS EXHAUSTION, & Consumption." Lots of small print on the back noting that if this medicine is used, "you will be cured" of your particular symptoms which include being NERVOUS, IRRITABLE & GLOOMY or having EVIL FOREBODINGS - rather interesting claims not often made by patent medicine producers. Measures about 3 inches, in very good condition.

Second, is a diminutive, corked, 2.75 inch bottle labeled "THE ENSIGN REMEDIES, "Remedy No. 1." The label notes: "For Abnormal Mental States, Fears, Forebodings, Persistent Thoughts and Evil Suggestions". It is quite rare to find medicines that were specifically indicated for the treatment of mental illness. The Ensign Remedies company was from Battle Creek, Michigan, and was mentioned often in the various medical journals published during the late 1800s and early 1900s. The bottle is excellent and the label shows modest wear, loss and fading.

Third is a Munyon's Headache Cure which has a screw cap glass vial in a colorful box. This medicine sports a partial tax stamp, measures 2.75 inches and is in fine condition.

The two Dr. Franklin's Specific Cures measure just over 3 inches long and sport very graphic and appealing labels. The first glass vial marked #24, cures Diseases of the Ear and Hearing and more. The second glass vial marked #31, cures Sore Mouth and Canker, plus Morning Sickness, Syphilitic Sore mouth and more. The condition of both vials is very good.

Fourth - MOTHERSILL'S TRAVEL REMEDY is a cute box of 12 capsules for children. This 2 inch cutie is empty, in very nice condition and is made in N.Y.

Item #5 is a laxative tin, QUINARETS, from the Virginia Chemical Company with partial contents, pamphlet and is in good condition. The tin measures 2.5 inches with some mild scratches and wear.

Together a wonderful grouping of quite interesting patent medicines from the early 1900s to 1940s.

This hard to find tool-of-the trade pharmacy instrument is marked “S & D CAPSULE FILLER”. It was used by early 20th century druggists to increase their capsule production. Known as the "CHEMI PHARM UNIVERSAL CAPSULE FILLER" and made by the Fenton Chemical and Pharmaceutical Co. Dating to 1905, this RARELY found example contains 2 separate fillers.

Included are two different capsule size steel fillers, one of which is presently attached by a universal pin. There are 3 filling trays, tamper, a spatula and roller.

The condition of this wonderful apothecary tool is as good as it gets, complete with the warm, rich patina one would expect of an antique of this age: minor scratches, marks and unobtrusive dings and tarnish.

The metal parts appear to be nickel plated, and the wood base seems to be walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.

The interior contains sand that was used to add weight and stabilize the box when in use. Weighs 25 pounds.

A must addition for any pharmacy/apothecary or Merck collection!

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black mammy with hand-painted “surprised” mouth and eyes! She is dressed in a machine-stitched cotton costume with great yellow ric-rac accenting —a wonderful kerchief on her head, and a cute little apron.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Overall condition is fine with minor paint wear to her face as seen in photos--typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Measuring approximately 7 inches high, this most rarely found, circa 1900’s, cloth, Black Mammy doll boasts a body form that is constructed of a dried cob of corn!

Mammy sports hand-stitched facial features, and all original, machine-stitched clothing. Mammy’s hands and arms are made of fabric-coated pipe cleaners allowing for flexibility and movement. Her corn cob body has been neatly encased in muslin. Mammy's costume is complete and quite brightly colored and even features a tiny apron pocket in which a teeny hankie is tucked!

Mammy has been well cared for over the years- no fading to clothing, no rips, tears or other blemishes! A most interesting and very seldom found Mammy doll in utterly excellent condition!