Catalog (432)

Offered for sale is a very rare, circa 1890s, trade sign or display advertisement for “KESSLER’S – SMOOTH AS SILK“ WHISKEY-- shaped in the form of a TOP HAT!

This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat. 19th century advertising pieces such as this are quite simply, extremely rare in today's collectible market, and when found command high values!

Julius Kessler, born in 1855, in Budapest- at that time, part of the Austrian Empire- traveled to America to make his fortune. In 1888, he began by personally selling his American blended whiskey known for its silky smoothness, door-to-door, to all of the saloons in Leadville, Colorado. The image of a smooth and silky Top Hat as the company's trademark advertising symbol added a flair of elegance to the brand! Kessler's whiskey quickly grew in prominence and popularity, and by 1935, was bought by Seagram's, with Kessler appointed as President. Julius Kessler passed away at the age of 80, but his image still adorns the bottle's label today- currently owned and produced by Beam Suntory-, as does his slogan, “smooth as silk”!

The condition of this fab piece is very, very good given its 125++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!

Measures 12”L x 9.5”W x 6”H. A superb, 19th century, eye-catching, visually appealing, antique display advertisement!!

Measuring 15.25 inches in diameter and 5.25 inches high, this magnificent and absolutely HUGE, C1920, Ohio-made, yellow ware, spongeware mixing bowl or water basin features fabulous blue sponging and is much more striking “in person” than the photos were able to capture.

The bowl sits on a 1/2” footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery but no cracks, chips or hairlines. Remnants of gold gilt decoration along the rim still remain. Would be fabulous as receptacle for a very large plant or to hold a large water pitcher!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

A wonderful and quite rare piece of 1950's Black Memorabilia!!

This unique, Japanese made, 6" tall Black Sailor or Pirate ceramic nodder by UCAGCO is in mint condition--no cracks, chips, paint wear or repaint!!! Any white spots, etc in photos are purely the function of poor photography!

This interesting fellow wears blue and white striped pants, yellow and green shirt, and yellow jacket. His head nods "yes" and his flowered-painted fan can be made to wave in any direction.

Both head & fan have "Pat T.T." impressed on the weighted stem.

Truly a quite rarely-found piece of Black Americana with a book value exceeding $450.00.

Please see the two additional Black Memorabilia nodders also available by Ardalt Co., Japan - the darling Black Girl Child Nodder and her companion piece, the adorable Black Boy Child Clown Nodder.

Measuring 4 inches long by 4.50 inches high by 3 inches deep, this fabulous, circa 1830's, English, porcelain, quill holder features a young, aristocratic lady surrounded by mounds of flowers and playing a lute.

Possibly Staffordshire, the quill holder features polychrome coloration with gold embellishment. Condition is wonderful with no chips, breaks, repairs, or repaints. Some discoloration seen under the base in the area where the quill hole is located. This discoloration may well be due to ink drips from quill or pen landing on the porcelain over many, many years.

A delightful piece!

This wonderful, late 19th / early 20th century photograph of students and teacher from a New England, one-room school house measures 10 x 8 inches including mat. Actual size of the sepia toned photo is 8 x 5 inches. The subjects are posed on the stairs in front of the schoolhouse porch or veranda. The ten young gentlemen in the front row, while quite fashionably attired, don’t appeared to be very enthusiastic about their participation in this photography session! Look at those faces!

Condition is wonderful- no rips or creases. The full view photo appears faded or lighter on the right hand side, but this is camera flash glare only- tones/coloration are uniform throughout as seen in close-up photo.

A delightful and early schoolhouse collectible!

This extremely colorful, lighthearted, and energetic, signed, fine quality, Limited Edition, giclee print depicts a lively outdoor dining scene full of gaiety and camaraderie.

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Offered is an utterly fabulous, one-of-a-kind, 1880s, piece of original artwork by Edward West Merrill (1841-1910) of Concord, New Hampshire.

Merrill, known for creating extraordinary art collages of cut paper, cut birch bark, ink, and watercolor mounted on black construction weight paper, fashioned this particular piece depicting the fictional African-American Blackville Debating Society, by encompassing all of these preferred artistic mediums.

One can see the beautiful grain of the white birch bark Merrill used to execute each figure and form, which he then detailed using black ink and added depth and color by applying varying natural tones of watercolor. Merrill added additional elements of detail to the black mounting paper using a lighter toned ink, such as the entrance/exit door to the left of the moderator. The resulting work of art is simply exquisite!

Merrill's subject matter ranged from various genre pieces to racist scenes inspired by Solomon Eytinge, Jr.'s, (1833-1905) "Blackville" series that Eytinge created for Harper's Weekly in the 1870s. Merrill's artwork offered here was inspired by Solomom Eytinge's "Blackville" lithograph printed in the January 4, 1879, edition of Harper's Weekly. (A photo of Eytinge's litho is presented for client reference and comparison to E.W. Merrill's work and is not available for sale.) When comparing the two pieces, one will note that Merrill changed his artwork from that of Eytinge's by eliminating one of the "scorner's" in the right corner, many of the club members featured at the bottom Eytinge's litho as well as the signage above the debate moderator and by adding the 25 lb "Best Soap" box under the moderator's table leg.

At the base of this work reads the following: The Blackwell Debating Society- "Wedder Lord Dorwin Involved Hisself or Somebody Else." -The Scorner in the Corner Will Reply Drawn By E.W. Merrill Concord NH .

Measurements including the handsome, original oak frame are 26" wide x 18.5" in length. The original hanging eyelets have been removed for ease in shipping and are present under the tape as seen in the photo of the verso of the artwork.

Offered is a fabulous, very early example of Tramp Art- a style of woodworking which emerged in America in the latter half of the nineteenth century. Tramp Art features the use of multiple, small pieces of wood that are whittled into layers of geometric shapes whose outside edges are then notch-carved.

This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.

This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.

The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.

Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!

Offered is very likely a Spalding Deep Groove Mashie Hickory Shaft Golf Club which is stamped 'DEDSTOP' on the sole.

This club measures almost 37 inches from the heel to the end of the shaft. It is also stamped 'MASHIE' on the sole and notes a 'FLOWER' cleek mark and the word, 'SPECIAL', etc. on the back. The face sports a DEEP GROOVE pattern and a darkened patina. The grip is an old replacement, and the sturdy hickory shaft is straight. There is a small wood chip on the shaft next to the hosel (as seen in the photo), and mild wear and dings are evident, but most prominent, on the leading edge of the club. I believe that 'DEDSTOP' is a model name used by Spalding. I have not seen the 'FLOWER' cleek mark on a Spalding club before, so there is a bit of question as to who made this club. An interesting, circa 1915, seldom-found club.

SOME HISTORY

"A.G. SPALDING BROS. began its golf club manufacturing in 1892, first in the USA and then in Britain shortly thereafter. In 1905, they introduced their popular "GOLD MEDAL" model and continued this successful line until 1919. The Kro - Flite example was first manufactured in the 1920's and eventually became one of Spalding's most popular models. They have been a major innovator/manufacturer in golf and other sports equipment for many years.

Measuring 11.5" wide x 15.75" long, this lovely, circa 1930, crosstitch cross stitch sampler depicts the history of a New York City and New Jersey family with multiple cultural nationalities displayed as well as a variety of early family occupations, significant streets, town, and structures.

Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!

On the left side of the sampler, the Scotch nationality is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1930s domicile of the doctor (?) at New York City's Park Avenue address.

The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).

The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the nationality of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.

The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol of peace and prosperity that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.

The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.

A well-executed cross stitch sampler, an example of fabulous Americana Folk Art, which is shrouded in mystery as to family origin!

Measuring just 11 inches tall, this sweet cloth doll with a composition face may be placed in either a standing or sitting position.

Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!

Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.

Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Another delightful example of an Olde School House collectible-a tiny metal Student Merit Award Pin which is designed in the shape of a circular olive branch crown with the word "REWARD" on a blue enameled open textbook and the date "1924" inscribed on a white enameled scroll.

Items such as this were given to worthy students by their appreciative school teachers at the end of a term for a variety of reasons not the least of which were scholarship, attendance, and deportment.

This sweet little pin is in excellent, all original condition retaining its original and quite functional clasp! It measures 1/2 inch in diameter.

A darling little addition to one's Olde School House Collection!

Offered are 2 very scarce, circa 1940's, glass, hospital signs acquired many years ago out of a New Jersey hospital that was undergoing modernization and renovation.

These glass SPINAL CORRECTION signs once hung near the entryway of the physical therapy department and are ready for display in your collection!

The first sign measures 13 inches long x 3 inches high and is of thick, heavy plate glass construction. The second sign has the same description but has about and inch missing in length. The signs sport gold-toned, applied lettering and are finished off in black paint, such as in the style seen in reverse-painted glass objects. There is some paint loss and lifting which is commensurate with older painted glass.

Offered is this early 1930's, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book. It is believed that this edition was the company's final publication of this story which was used over a period of ten years up until WWII, with changes only to the cover design. M.A. Donohue's Little Black Sambo books, today, are a very rare find!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! All the wear on this brightly colored hardcover book was absorbed by its cover with wear to book edge points, book cover edges, and splits to the exterior spine. The interior binding is intact and tight as are all pages. No rips, creasing or bends to pages or pen/pencil markings. Illustrations remain very brightly colored and vibrant and are known for their very fine artistry. There is a small spot of brown paint that likely dropped onto the book while it was closed because a tiny remnant of this paint appears on the very edge of each page approximately one inch from the top of the pages (as seen in photos). Interestingly, both the front and back covers are identical in design!

Amazing condition for a nearly 90 year M.A. Donahue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Presented as a historical and cultural artifact, this extraordinarily RARE, very, very scarcely found, cloth book entitled "Pickaninny ABC" was published in London, Patented March 7, 1905, Number 39, by Dean's Rag Book Co. Ltd. The book measures 8.50 inches long x 6.75 inches wide, and is the companion volume to the also exceedingly rare 1904 Dean's Rag Book, "Ten Little Indians" which I have had the pleasure to offer for sale only twice in my decades-long antiques career (see final photo for a cover shot of the companion Ten Little Indians book).

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

Published, designed and printed by Juvenile Productions, LTD, London, England, #1711, circa 1920s, this SELDOM FOUND, soft cover children's book presents a very different, very unique tale inspired by the traditional Little Black Sambo story written by Englishwoman, Helen Bannerman in the early 1900s.

This version, is indeed more aligned with the style of the 19th century stories written by the famous Brothers Grimm of Germany, featuring fairies, a Fairy Queen and tiny elves!

It also, quite unfortunately, utilizes obtuse monikers that, sadly, were in common use during this time period, referring to Sambo as a PICCANINNY and naming his parents, Mr. and Mrs. DARKIE. If not for this usage, this little story would be regarded as very sweet and charming.

The book contains 10 pages, all of which have been photographed here, with illustrations alternating between full color and black line drawings. Color throughout remains brilliant and crisp! Other than some slight rubbing to page edges, very slight foxing here and there, a top corner crease on three pages, and some rusting to the two original staples which still securely bind the pages together, this VERY UNCOMMON book remains in superb condition for its approximate 100 years of age! Measures 7.75 inches high x 5.25 inches wide.

To find our other Little Black Sambo offerings, simply type "Sambo" into the search box on our home page.

Offered is a very difficult to find, hand-carved and hand-painted, ice fishing FISH DECOY from the 1940s era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

Expertly carved and painted to simulate an actual Perch fish, this beauty quite closely reflects the real thing!

In fact, this charmer has some subtle signs of having once been an actual working decoy as evidenced by the light areas of superficial rust on the tin fins and at the junction where the fishing line connects to the eyelet in front of the dorsal fin. Clearly, given this decoy's incredible condition and its 80+ age, it did not see much use below the waterline!

There is faint loss of paint and light wear giving this a work of art a wonderful vintage patina. Two weights are present on the underside of Mr. Perch. Measures 9 inches long x 3 inches wide x 2.5 inches high including the fins. Maker unknown.

An utterly splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.